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World Watches in Awe as Muslims Draw I didn't get there early, but I wasn't late Ð not for this. At the downtown Mosque in San Jose this past Stepping down, I was greeted by San Jose-based Garret Ibrihim Pomelow's pictures portraying aerial shots of sedulously planned-out imaginary cities filled in with wild pretend colors. He must have stayed up nights. And then there was the centerpiece Ð beguiling aisles of Britain-based Abu Dawud's computer graphics designs. The Islamic ban on beasts and people in images led to a striking use of abstract color and point of view, as well as a mix of strangely matching technical, reflective, geographic, and traditional images. Each of his pieces was paired with a quote from the Koran, the last Muslim Holy Book. (Muslims also believe in the Law of Prophet Moses and the original Gospel of Prophet Jesus, peace be upon them.) He used shadow and light against cubes, pyramids, and geographic shapes I don't even know the name of. It was not what I expected. For those who like their art to be useful, UK sister Nadine Chahine and US brothers Tarek Atrissi and Mammoun Sakkal designed bone china plates with ornate red and white lettering carved into a white background. It has been said that Buddhism is the peaceful religion. I would editorialize and add to that by saying Islam is the activist religion. So it was that when Latina Muslim sister Kathy Umaya Espinoza got up to read her poetry about Bush's wars, some of the older white couples wrinkled their noses and left. To paraphrase the poet Oscar Wilde, divergent opinions on a piece of art mean that it is vital. Cheese and crackers, pineapple, strawberries, orange juice, tea, and ÒSalaam colaÓ (a Muslim brand) were served (Salaam is Arabic for peace.) at no charge. Actually, all of this was free, and I had an unusually good time; as an artist myself, and a Muslim, I got to combine my passions. My only complaint was that that I had no money, because everything was sensibly priced and seriously sensuous.
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